![]() ![]() Unbelievably, the term was coined during the furor arising from the Manson Family murders of 1969. A psychopath who tortures and murders solely to satisfy his personal demons but who videotapes the event to create a reliveable record of the experience has produced a snuff film. Likewise, claims that the filmmaker must have had no other motivation than the production of the film should be dismissed. It's the recording of the death itself which constitutes the "snuff" in snuff films, not who makes a buck out of it. Some will further claim that a profit motive must exist, that the final product has to be offered for sale (as opposed to being passed around without charge within a select circle, or remaining solely in the possession of its maker). It's a simple definition, but a workable one. Snuff films depict the killing of a human being - a human sacrifice (without the aid of special effects or other trickery) perpetuated for the medium of film and circulated amongst a jaded few for the purpose of entertainment. Definition of the TermĪs to what is or is not a snuff film, according to Kerekes and Slater, authors of Killing for Culture, the bible on the snuff film rumor: #Rapidshare ewp snuff serialLet's start by defining the term and locating its origin, then move on to examine some high-profile films often believed to contain snuff footage, and finish with an examination of the serial killers "souvenir of the kill" angle. It doesn't make sense to flirt with the electric chair for the profits derived from a video. Though someone whose mania has caused him to lose touch with reality might skip over this point, those who are supposedly in the business for the money would be all too aware of this. Even if he stays completely out of the camera's way, too much of who the killer is, how the murder was carried out, and where it took place would be part of such a film, and these details would quickly lead police to the right door. Only the most deranged would consider preserving for a jury a perfect video record of a crime he could go to the executioner for. Indeed, the genre for this group of videos even has a name, one we casually invoke the same way we would speak of "horror" films or "romantic comedies" - could something we speak of so confidently be a chimera?Ĭapturing a murder on film would be foolhardy at best. Offhand references to them pop up everywhere. What with all of these elements being interwoven into the fabric of current society as tightly as they are, it's close to impossible for any rational person to conclude snuff films don't exist. (In an extension of the serial killer rumor, some claim these films subsequently found their way into the marketplace.) Rumors about various serial killers videotaping the last moments of their victims abound.A number of horror films use as their premise the making of a snuff film or the discovery of same. #Rapidshare ewp snuff seriesOf these, the Faces of Death series is the most widely known. Numerous compilation films in which death scenes - both real and staged - exist.This has led to the creation of some incredible fakes, including the infamous Flower of Flesh and Blood of the "Guinea Pig" series. Society's fascination with gore has led filmmakers to experiment with how realistic they can make a horror scene.Hence, there's no market.Įach of the following four elements contributes to the belief that snuff films exist: However, fears that a market for such offerings exists are unfounded even if the market did exist, the product to satisfy it is not there. This assumption lies at the heart of the belief that the distribution network is in place. The prurience of human nature being what it is, it's not unreasonable to assume if the films existed, there would be those willing to pay to have them. It's not enough to fear there might be one snuff film out there the belief runs strong that a large creation and distribution network is in operation, with children and young people routinely kidnapped then killed while the cameras roll to meet demand and the films of same circulated through this underground to connoisseurs of the genre. (Al Goldstein, publisher of Screw magazine, has a standing offer of $1 million for anyone who can come up with a commercially sold snuff film. Police on three continents routinely investigate films brought to them, and so far this has always been their verdict. Time and again, what is originally decried in the press as a film of a murder turns out, upon further investigation, to be a fake. ![]() All the fretting about it aside, not so much as one snuff film has been found. ![]()
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